The article discusses how intangible heritage has become separated from tangible heritage, causing division in heritage preservation. It argues that this separation is due to a focus on scientific restoration shaped by museum ideologies. The work of Cesare Brandi has influenced this vision but has been misunderstood, leading to tensions in the heritage community. The article aims to address this by reevaluating restoration practices and reconciling tangible and intangible heritage through the concept of 'authentic process'.